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[untitled]

NETWORK

DURATION
00:30:00

RATING

SCANNED IN
San Francisco, CA, USA

SOURCE
Comcast Cable

TUNER
Channel 89 (615 MHz)

VIDEO CODEC
mpeg2video

AUDIO CODEC
ac3

PIXEL WIDTH
544

PIXEL HEIGHT
480

TOPIC FREQUENCY

Us 11, San Francisco 8, America 3, William Wiley 2, The City 2, Meret Tan 1, Mr. Joaquin Torrez 1, John Paul S Ema H 1, Proclimation 1, Jeff 1, Keck 1, The City L U B N 1, Brisbane 1, Well As L U B N 1, Exploratorium 1, City 1, Jeff Chadsey 1, United States 1, Berkeley 1, Mexico 1,
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  SFGTV2    [untitled]  

    December 3, 2012
    1:30 - 2:00pm PST  

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(applause). . (applause). . . >> thank you guys so much for that beautiful performance can we give them
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another round of applause? (applause). all the this time if i can ask mr. joaquin torrez to join us again on stage, joaquin will be introducing the mayor and if i can ask my fellow committee members to also join us on stage. joaquin. >> thank you very much i have to say as director the mayor's oches of neighborhood services it's refreshing to have a mayor so dedicated to couldn't and it makes my job easier when our people in the community want to feel our elected efficients make our needs and it's in physical presence and i have had the great pleasure of serving under our mayor lee who i would like to make a
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invite to make a few remarks in honor or of arab heritage month here in san francisco. >> thank you, thank you joaquin, thank you, welcome to our orange city hall. i want to welcome everybody here this fourthth animal america arab month of separation and it's my pleasure to join us here and many of us know that we are such a lucky city, and we are lucky because people around their world make their way to fraction, find hopey until the city they know that we celebrate our diversity and find strength in the different cultures that pretend together and now, i ask you also to bring me talent from the arab america communities to make me and help me lune run the
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city. yes, it's incredible. union, i think i can talk about how wonderful diversity is, but we have to get the talent from our communities to represent all of the different thing that we do in the city. and you know, tonight, even though there is something called a baseball game out there, but these wonderful events that we have in the city whether it's america's cup whether it's fleet week, whether it's the 49ers playing or the giants playing, even eventually when we land the superbowl it all board of trustees all of us, i know that what i'm doing as a mayor and making sure that i support smallbitions in the city is helpful to the america arab community because all of us whether we are chinese americas hal teen know arabs is a starts for us to make our life a little more pleasant and own our business and is make sure that our kids get the best education possible and this
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is a story about immigrants in our great city. and so why not you have the first chinese mayor inviting immigrant community to really identify the talent in our community and allow me to give them appointments in the various moo commission and the city and i want to announce my newest point to the aging commission because per not getting younger i want you to know doctor sham meret tan knee has been selected to be on our commission on aging and yes, he is going to help us because there is a lot of you that want to be in our city and you want to make sure that healthy nutritional unusuallile programs and housing are constructing wisely and so i have asked him to step forward and i have asked john paul s ema h a who has been on our treasure island and watch
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what he is going to do because that is a new part of our city and it's one where if he conducts all of the work that he is going to do as a commissioner on treasure island, he is go to get a lot more treasure island to serve the that you saws of small residents that are a part of it and so we are seeking more fault and please step forward and represent our communities proudly and i'm very willing to work with all of you and on behalf of our city and on behalf of this wonderful celebration that we have, i call upon on our coaches for the arab heritage celebration, jeff who's here as well as l u b n a to please come on up and receive and just again, thank you very much for your work in the film festival and l u b n a for the wonderful leader ship that you have and devise that you are giving to he to
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run a vibrant culture center and i hopey that you are able to get a larger cultural center is because the population is going and i hopey that we are able to get you a larger cultural center and get you the resources that you need to run the cultural and art programs and so on behalf of the city l u b n a and jeff this is our arab heritage month celebration proclimation. (applause). and go giants: enjoy everybody.. >> thank you mr. mayor. (applause). .
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>> yeah, mayorly thank you very much for the letting us use your house here tonight and letting -- we really appreciate it we know that you ran from the game to get here and so we really appreciate your commitment to our community and we are happy that you are here to celebrate this momentous day with us. we have an awesome community here, we are here to celebrate the awesomeness of our community the dedication of our community and, you know we are hebe here to serve all of you so really this award should go to everybody here in our community. thank you very much. (applause). and i just want to echo jeff's words and say thank you for having us here today and thank you all for joining us and we look forward to many more arab heritage month celebrations and as well as our bigger community center and you know, through all of the different work that we do in different arab
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organization, different community organizationings it's about strengthening our community and contributing to the amazing cultural land scam of our city and we are very thankful to here today. >> and thank you shad deand the committee for putting on such a great show and where joaquin. thank you very much also for all of your dedication and work. okay thanks a lot:. >> so please everyone, join us for the reception, for the following if he is activities we have a fashion show, as well as some food and accommodations and so please follow us into the hall. thank you. ♪
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♪ >> i'm your host of "culturewire," and today, here at electric works in san francisco. nice to see you today. thanks for inviting us in and showing us your amazing facility today. >> my pleasure. >> how long has electric works been around? >> electric works has been in san francisco since the beginning of 2007. we moved here from brisbane from our old innovation. we do printmaking, gallery shows, and we have a fabulous retail store where there are lots of fun things to find.
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>> we will look at all of that as we walk around. it is incredible to me how many different things you do. how is it you identify that san francisco was in need of all these different services? >> it came from stepping out of graduate school in 1972. i wrote a little thing about how this is an idea, how our world should work. it should have printmaking, archiving, a gallery. it should have a retail store. in 1972, i wanted to have art sales, point-of-sale at the grocery store. >> so you go through the manifesto. with the bay area should have. you are making art incredibly accessible in so many different ways, so that is a good segue. let's take a walk around the facilities. here we are in your gallery space. can you tell me about the current show? >> the current show is jeff
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chadsey. he is working on mylar velum, a smooth, beautiful drawing surface. i do not know anyone that draws as well as he does. it is perfect, following the contours and making the shape of the body. >> your gallery represents artists from all over, not just the bay area, an artist that work in a lot of different media. how to use some of what you look for in artists you represent? >> it is dependent on people are confident with their materials. that is a really important thing. there is enough stuff in the world already. >> you also have in his current show an artist who makes sculpture out of some really interesting types of materials. let's go over and take a look at that. here we are in a smaller space. project gallery. >> artists used the parameters
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of this space to find relationships between the work that is not out in the big gallery. >> i noticed a lot of artists doing really site-specific work. >> this is a pile of balloons, something that is so familiar, like a child's balloon. in this proportion, suddenly, it becomes something out of a dream. >> or a nightmare. >> may be a nightmare. >> this one over here is even harder to figure out what the initial material is. >> this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. >> for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? >> i'm not telling. >> ah, a secret. >> this silver is aluminum foil,
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crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. >> this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? >> very important in this space, to have artists who really have not shown much. now let's look at other aspects of electric works operation. let's go to the bookstore. >> ok. >> in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly
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curious selection of things. >> this was the project for the berkeley art museum. it was -- this is from william wiley's retrospective, when he got up onstage to sing a song, 270 people put on the cat. >> it is not just a bookstore. it is a store. can you talk us through some of your favorites? >> these are made in china, but they are made out of cattails. >> these pieces of here, you have a whale head and various animals and their health over there, and they are jewelry. >> we do fund raisers for nonprofits, so we are doing a project for the magic theater, so there are some pretty funny cartoons. they are probably not for prime time. >> you sort of have a kind of holistic relationship where you
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might do merchandise in the store that promotes their work and practice, and also, prince for them. maybe we should go back and look at the print operation now. >> let's go. >> before we go into the print shop, i noticed some incredible items you have talked back here. what are we standing in front of? >> this is william wiley, only one earth. this is a print edition. there are only eight total, and what we wanted to do was expand the idea of printmaking. this is really an art object. there we go. >> besides the punball machine, what do you produce in limited edition? >> there is the slot machine. if you win the super jackpot,
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you have saved the world. >> what about work? >> the right design, it was three volumes with lithographs in each volume. the cab of count dracula with 20 lithographs inside and lined with beaver fur. really special. >> let's move on to the print shop. >> ok. the core of what we do is making things. this is an example. this is a print project that will be a fund-raiser for the contemporary music players. we decided to put it in the portfolio so you could either frame at or have it on your bookshelf. >> so nonprofits can come to you, not just visual are nonprofits, but just nonprofits can come to you, and you will produce prints for them to sell, and the profits, they can keep. >> the return on investment is
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usually four times to 10 times the amount of investment. this is for the bio reserve in mexico, and this is one of the artists we represent. >> you also make prints for the artists that you represent. over here are some large prints by a phenomenal artist. >> he writes these beautiful things. anyone who has told you paradise is a book of rules is -- has only appeared through the windows. this is from all over coffee. we are contract printers for all kinds of organizations all across the country. >> thank you very much for showing us around today. i really appreciate you taking the time to let me get better acquainted with the operation and also to share with our "culturewire" team.
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>> welcome to culture wire. we will look at the latest and greatest public art project. recently, the airport unveiled the new state of the art terminal. let's take a look. the new terminal service and american airlines and virgin america was designed by a world- renowned architecture's firm. originally built in 1954, the building underwent massive renovation to become the first registered terminal and one of the must modern and sustainable
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terminals and the united states. the public art program continues its 30-year legacy of integrating art into the airport environment with the addition of five new commissions that are as bold and dynamic as the new building. >> this project was completed in record time, and we were able to integrate the artist's early enough in the process that they could work with the architect said that the work that is completed is the work that really helps complement and instill the space as opposed to being tucked away in a corner. >> be experience begins with the glass facades that was designed with over 120 laminated glass panels. it captures the experience of being under or over clouds when flying in a plane. depending on the distance or
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point of view, it can appear clear for more abstract and atmospheric. the subtle colors change gradually depending on the light and the time of day. >> i wanted to create an art work that looks over time as well as working on in the first glance. the first time you come here, you may not see a. but you may be able to see one side over the other. it features a couple of suspended sculptures. each was created out of a series of flat plains run parallel to each other and constructed of steel tubing. >> it is made up of these strata. as the light starts to shift, there is a real sense that there is a dynamism. >> it gives the illusion that
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this cultures might be fragments of a larger, mysterious mass. >> the environmental artwork livens it with color, light, and the movement. three large woven soldiers are suspended. these are activated by custom air flow program. >> i channeled air flow into each of these forms that makes it move ever so slightly. and it is beating like a heart. if-0 when as of the forces of nature moving around us every second. >> shadow patterns reflect the shapes of the hanging sculptures. the new terminal also features a children's play areas.
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both of the market the exploratory n.y. -- exploratorium. the offer travelers of all ages a playful oasis. using high quality plywood, they created henches shaped like a bird wings that double as musical instruments. serving as a backdrop is a mural featuring images of local birds and san francisco's famous skyline. >> in the line between that is so natural, you can see birds and be in complete wilderness. i really like that about this. you could maybe get a little snapshot of what they are expecting.
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>> it is an interactive, keck sculpture that is interacted with by the visitor. >> they are a lot about and they fall down the belt. it moves the belt up, and if you turn that faster, the butterflies fall in the move of words. >> the art reflect the commission's commitment to acquiring the best work from the bay area and beyond. in addition to the five new commissions, 20 artworks that were already in the airport collection were reinstalled. some of which were historically cited in the terminal. it includes major sculptures by the international artists. as a collection, these art works tell the story of the vibrant arts scene in the early 1960's
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through the mid-1980s's. the illustrate san francisco's cultural center and a place of innovation that is recognized and the love throughout the world. one of the highlights is a series of three left tapestries. they are on view after being in storage for 20 years. these tapestries representing various gardens. from his years of living in san francisco. hydrangeas, chrysanthemums, and whilst dahlias in rich, deep shades as they make their way to the baggage area. they can access behind-the- scenes information and interviews with the artist through an audio to work. it features archival audio as well as interviews with living
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artists. he can be accessed on site by dialing the telephone numbers located near the artwork or by visiting the commission's web site. the public art speaks volumes of san francisco as a world-class city with world-class art and culture. for more information, visit >> welcome to "culturewire." today we are at recology. they are celebrate 20 years of one of the most incredibly